`            ❥~          TIANRAN QIAN       ✶.✩  

Research-based creative practioner, strategist,  producer, and digital talent agent.

Exploring how to hack for space in this alien aesthetic machine.

Currenty based in New York

Research interests:
computational aesthetics, text-image transmediality, word concept relations, epistimology knowledge representation, print to electronic texuality, digital image, human-AI collaboration in art, Chinese calligraphy, comparative approaches...



tianran.space@gmail.com
@_tianran_

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I saw too many cheetah print skirts in summer 2019...

!

2019.06-10
Cheetah Skirt  Book

Photobook, 500 iPhone photos of cheetah print skirts in 5 months
Cheetah print undoubtedly marked the fashion trends of summer 2019. This photo book comprises 500 cheetah print skirts I captured using my iPhone from June to October. Each page includes a screenshot of the iPhone photo information, serving to control variables and highlight the overwhelming quantity, thereby proving that I was the sole photographer and emphasizing the scale of the trend.

Wearing cheetah print feels different from wearing all-black. Animal prints are a sign of power, displaying the wearer's ability to conquer. In today’s pop culture, wearing cheetah print often suggests a sense of fierceness or sluttiness—two ends of the same gaze, both tied to power and force. When someone intentionally purchases and wears this print, it is a means of expressing one's personality and a sense of empowerment. However, this agency is heavily mediated by algorithms that predict and present content to us, shaping our present choices and future habits based on a coerced past. Otherwise, why would so many wear cheetah print skirts in the same summer?

This photo collection aims to illustrate that trends and aesthetics are manufactured, with capital and power exercised through our very fabrics. Our feelings and motions are abstracted into data, measured, controlled, and exercised on statistical populations through individual bodies. The book raises instead of answeing these questions: are we performing affective labor for platform algorithms in physical reality? How do we distinguish the thin line between proactive consent and passive coercion? How much agency do we really have in everyday choices?






The photos were categorized into 4 categories via trans-parent tracing paper: 
mini skirt, maxi skirt, mini dress, maxi dress.




Screenshots of each iPhone photo’s information, including time, location, and lens information.



To flip through the inner pages:

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